Sunday, 20 July 2014

Stickman Pirate’s Wallet Puzzle Box



Sometimes the puzzling gods really smile on me … a couple of weeks back I had an email from the Stickman to say that I’d been chosen in a random lottery to be offered the chance to buy a copy of his latest creation – the Pirate’s Wallet. I duly logged into Paypal and did the necessary and then replied with a “Yes, please, sir!”


A couple of weeks later, I received the inevitable ransom demand to release said package from Customs and Gill sorted that out for me before I even knew it had arrived… and it was duly delivered the day before she left for a long weekend in France with some friends – so I had a weekend with a brand new Stickman, not many chores to do and it was tipping it down outside – so I’d just have to puzzle! 


Lucky, or what?!


The Pirate’s Wallet, as you might expect is a little pirate’s chest, with a rather hefty padlock on the front of it… everything is made of wood on this box, from the straps keeping to lid closed to the hinges on those straps(!), the padlock on the front and even the key. (Actually, that’s not quite true, there are a couple of tiny magnets inside – not even Rob has worked out how to magnetise wood yet – although if someone could, I’d have my money on him!) 


He’s chosen some absolutely gorgeous woods as usual – the grain on the ambrosia maple makes it look like a really old, well-loved chest and the redheart and yellowheart on the straps and hinges really stand out superbly. 


The puzzle arrives with a little tag around one of the feet asking you politely not to twist the feet – you could probably force them with a bit of brute force and a lot of ignorance – best not to. Aside from that, it’s pretty much open season…


So, what’s to notice – first off, in case that wasn’t totally obvious already – it’s gorgeous!

Yeah, yeah – what do you do with it?


OK – the little turn-buckles trapping the front parts of the straps can twiddle, although lining them up, doesn’t release the straps on the front as you might expect – they’ll wiggle a bit, but won’t come free, yet… exploring the straps a bit further, there doesn’t seem to be any give anywhere else on the straps, so we’re probably better off focusing on the front for now.


Might as well fiddle around with the lock a bit then – key goes in and turns all the way around, although apart from the occasional tightening, I can’t find anything interesting on there…


Experiment a bit on the box itself and find a little bit of evidence that some things might not be quite as permanently attached as you might expect – and a big grin appears on my ugly mug – Rob’s disguised some stuff in there rather brilliantly and I realise this box is not going to open the way it “should”! Classic Stickman!


…I’m going to gloss over the next several hours of joyous discovery on my Saturday morning but suffice it to say that I had several periods of intense discovery interspersed with a number of patches of Think©-ing. All told I probably spent about three hours getting into the inner sanctum – three hours of puzzling heaven!


Rob’s created an awesome journey with his latest creation – it’s not surprising it’s taken him seven months to design and make a run of 52 copies… there’s a huge amount of clever design and fiendish engineering in there – and he’s left it all out on display, so when you open the box, you’re able to totally disassemble it and see how every little step works. 


I should confess to a moment of sheer panic when I started disassembling it (well, you have to, don’t you?) – I’d removed a particular sub-assembly and turned it over to look at the back, only to realise that the mechanism on the front wasn’t trapped, when it fell into my lap in pieces… I’d only just glanced at it before that happened, but managed to get it all back together again. 


Reassembly is a cute little challenge on its own as you need to work out which states a bunch of “things” need to be in to start with or you’ll end up not being able to lock it all up…


If you’ve read any of my past posts on Rob’s creations, you’ll know I’m a huge fan of his work … but this one is really exceptional – Rob describes it as of “moderate” difficulty – and that’s probably about right, although it’s definitely at the harder end of “moderate” rather than the simpler end. It’s a great puzzling journey as you wend your way through the path to the solution. You’ll find a variety of useful things to help you along the way and there’s always just enough of a clue to where to go next, if you’re paying close attention… and plenty of “A-Ha!” moments along the way.


It’s an EPIC experience – a little slice of puzzling heaven on a rainy weekend at home – Thanks Rob – you ought to be mighty proud of this one!

Tuesday, 15 July 2014

Waterfall Box #5



I’m lucky enough to know same rather well-connected puzzlers and every now and then one of them will get in touch and ask if I’m interested in a such-and-such or whether I already have a so-and-so. Recently I had the opportunity to get my hands on a beautiful puzzle box made by the indecently talented Kagen Sound (nee Schaefer) - Waterfall Box #5.

Kagen produced these in around 2006 and as you might guess from the name, it was the fifth in a series. The series share a common size and style with a dark (wenge) band tracing around the sides of each box. Each successive box in the series took more moves to open (7, 15, 19 and then 42) with the final box in the series requiring the sum of all these, 83 moves, to open. Each of the earlier boxes in the series had a contiguous dark band which effectively lead the solver around the box toward the solution… however Waterfall Box #5 has some rather unruly wenge lines that don’t line up…


It turns out that if you packed the first four boxes in a two by two by one arrangement, it would give you a continuous dark line around the resulting block which turns out to be the “map” for the solution to Box #5. (I’m going on faith here since I haven’t seen Boxes 1-4 in the flesh.) and furthermore, when Box #5 is ready to be opened, all of the dark lines on it will be aligned… so you know at a high level “which direction” you’re heading in, although if you think about the fact that you have 83 moves to open this box and only 6 panels, it’s clear that at some point you’re probably going to be back-tracking.

To help you out even further, the central decoration on each side is in fact a little map of the 3*3 maze inside that side panel. Now with all that help, how hard can it be to open this box…?

Pretty hard, it turns out!

When my copy arrived, it was still in Kagen’s original cellophane wrapping with the certificate sealed inside, looking like it literally had never been unwrapped, let alone opened. Feeling half-privileged at being the first person to play with this copy and half-saddened that it had been packed away unopened and not played with for all these years, I didn’t waste any time getting rid of the cellophane and began playing with the box.

There’s one obvious side to start on (mainly because you can’t move any of the other sides at all!) when I started out moving the panel, first this way and then that, it was reasonably stiff. It loosened up with a bit of exercising and once I’d progressed to working on the subsequent panels, the first one was beginning to work rather smoothly.

Getting one panel properly placed frees up the next panel and so on, until you find yourself needing to backtrack in order to get some of your earlier moves undone to allow the test panel to develop further. I found myself thinking about the progress on two levels – trying to work out where I wanted to go at a high level, and then working out how to get things properly aligned a a lower level to allow me to do that.

You’ll find a bunch of forks in the road, as it were, and if you don’t think far enough ahead, you’ll risk having to either re-do quite a lot of your work or find yourself right back at the start again.

Having spent a while playing around with it and working forwards and backwards through the full solution, it’s freed up quite a lot – although the movements are beautifully precise and it will only let you do what you’re supposed to be able to do…

Several folks had a bash on it at Rox’s big BBQ and also subsequently at MPP15 – I don’t remember seeing anyone open it, but they all seemed to be enjoying [p]laying with it… even the blogger in denial about being a secret puzzle-box-fancier!

There was one thing that had me a bit concerned – when I was opening it the very first time when the panels were still fairly stiff, I was worried about the sounds coming from inside whenever I turned the box over – it sounded like something metal had let go and was sloshing around inside… I hung in there and when I finally opened the box all became clear: Kagen had placed a “spare” inlaid map piece inside the box as a piece of treasure to reward the solver. Nice touch! That tiny piece of inlaid wood sounds for all the world like something small and metallic inside the box as you turn it over…

Very chuffed to have been able to get hold of this box and rather enjoy the fact that in the last couple of weeks it’s been played with more than in the first eight years of its life… to misquote Ishino: “puzzles should be played!”

Wednesday, 9 July 2014

I owe Steve a huge thank you…



Steve and his mate Simon decided to dabble in some 3D printing a while back when they had some time to kill – and at the time they couldn’t quite find a 3D printer that suited them, so they designed one and then promptly started producing them for sale. (Yip, Bright boys!)

Ever since then I feel like whenever I’ve bumped into Steve at either an MPP, a BBQ or at Peter’s place, he’s always just produced something new and he’s passing them around for folks to play with. Sometimes he’d let us give him a couple of quid for a copy, but often he just insists that you take a copy and refuses all offers of cash.

Some of them have been classic Stewart Coffin designs – latterly particularly ones that haven’t been produced much because they’re a pig to make accurately out of wood (no trouble if you’re 3D printing them!) and some have been prototypes of Steve’s own designs. (I love my psychedelic Peanut!)

A little while back Steve and I were talking about lithophanes that James Dalgety had introduced me to a year or three back. Lithophanes are wondrous etched or moulded works of art on semi-translucent surfaces (think thin porcelain) which display a picture when light shines through them… so you’re basically getting a grey-scale picture where the depth of the grey is determined by the depth of the material at any particular point. 

Look at them in ambient light and they’re not very interesting, but put a light source behind them and a picture emerges. Anyway, Steve had mentioned that he was fiddling around with them on his Threedy printers and the very next time I saw him he handed over a freshly printed lithophane of my ugly mug in full manic IPP Exchange mode – it’s taped to the window in my puzzle cave to intimidate everyone who comes in to play with the toys… not sure it’s working (the intimidating bit!), but it is a great little talking piece. 

Thanks Steve!